What do we wear: the exhibition examines the changing world of clothing?

"Items: Is Fashion Modern?" takes up the entire 6th floor of MoMA and features objects that range from futuristic to completely ordinary. Pictured here: a Champion hoodie from the 1980s and Richard Malone’s Jumpsuit Specimen 2017</em

What do we wear: the exhibition examines the changing world of clothing?
From baseball caps and sari to black dresses, the clothes we wear blend in with our social history. The New York museum of modern art (MoMA) explores this history. “Project: is fashion modern? “Look at some of the clothes that change the world – but this exhibition is not about fashion, it’s more about design, history and why it lasts.
For example, consider a trigger, and a thong. “The belt is very important,” said Paola Antonelli, a curator at MoMA. “It’s an unremarkable masterpiece, and that’s why it exists in all cultures.”
“Project: fashion modern? It occupies the entire six floors of the museum of modern art and has never come to an entirely ordinary object. Pictured here: the champion hoodies of the 1980s and Richard Malone’s jumpsuits in 2017.
Champion’s red hoodies were also on show in the 1980s. At first, Mr. Antonelli said the hoodies were functional: after training, athletes might keep an athlete warm. But in recent years it has become politics.
“When Trayvon Martin was wearing it in Florida a few years ago – he walked in the evening and bought candy – George Zimmerman thought he was suspicious because he was wearing a hoodie,” she said. “So this disconnect and this misconception has turned the hoodie into a tragic symbol and a political symbol.”
In the modern art museum’s headscarf is a religious symbol – the head and neck are covered with clothes worn by some Muslim women to remain modest. This is controversial, and co. A few years ago, a Muslim designer in Australia put a turban on his leggings and long sleeve tops. The result was a burkini, a keen Muslim woman’s swimsuit. Mecca Laalaa Hadid helped improve the shape of the suit.
“She was a keen Muslim young girl who wanted to be a lifeguard,” explains antonelli. “So these beautiful pictures of this woman are very good in the same colour as the other lifeguards’ [swimsuits].”
She can be modest and watch on the shore.
The museum puts the bikini next to the bikini – the small piece that originated in France and neither of the clothes. It first appeared in 1946 and made some beach lovers happy. Others were embarrassed, and some knew they could never try.
Since the 19th century, jeans have evolved from utilitarian projects into fashion statements.
Courtesy levistrauss archives (San Francisco)/New York museum of modern art.
“The bikini is so simple that it can’t be worn by the right women,” Ms. Antonelli said. In fact, it was so primitive that the designer couldn’t get a professional model to show it. So he hired a strip dancer from a Paris casino. Antonelli said that whether the culture was in favour or uncovering, there was a universality: “the female body is always the battlefield.”
Overalls have not caused much controversy, but they have changed with The Times. An old 501 jeans tells a story that began in 1853 when Levi strauss &Co. started making blue jeans. Modern art museum fashion historian Stephanie kramer says denim has been around for years, but during the gold rush, Levi strauss stitched it up as a necessity for craftsmen. “They’re the ones that put the rivets on the jeans,” she said, “including pockets, crotches, and so on.”
These rivets make the trousers more durable. They last longer and become classics. Today, that one-off utilitarian project has become a fashion statement. Designer jeans are as good as pickling and stonework jeans. “I think it tells you that jeans are the ultimate modern outfit,” kramer said. “They are both eternal and temporary.”
According to antonelli, the originality of sari in India lies in its variability.
Bon Duke/Border&Fall/New York museum of modern art.
For the show’s grand finale, the museum chose perhaps the most common piece of clothing. What men or women can find in most people’s drawers. “It makes sense to end with a white T-shirt,” Mr. Antonelli said.
First, it is a powerful force. “In some people’s imagination, power is still represented by a man’s three-piece suit or two-piece suit – it’s still very masculine,” explains antonelli. “But in fact, today, people in three suits may be bodyguards; People who really have power wear t-shirts.”
This white T-shirt also compiled a program trying to express all kinds of views: “the idea of the eternal, universal, the concept of good design – old good design, form following function – ecological, fast fashion, how do we deal with objects,” Anton said. “So everything is crystallized by a white T-shirt.”
A young woman walks up to us in a white T-shirt on the video monitor, which is installed near the line. She began to take off her clothes, and there was a white T-shirt underneath. And under one and the other. The message was clear: the T-shirt continued. It will never end. It is eternal.